Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Pompeo Batoni
Susanna and the old man

ID: 57048

Pompeo Batoni Susanna and the old man
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Pompeo Batoni Susanna and the old man


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Pompeo Batoni

Italian 1708-1787 Pompeo Batoni Location Italian painter and draughtsman. In his day he was the most celebrated painter in Rome and one of the most famous in Europe. For nearly half a century he recorded the visits to Rome of international travellers on the GRAND TOUR in portraits that remain among the most memorable artistic accomplishments of the period. He was equally gifted as a history painter, and his religious and mythological paintings were sought after by the greatest princes of Europe.  Related Paintings of Pompeo Batoni :. | Jean-Francois Josech de Rochechouart | Mr. Han Fei Ruimo Rice | Duke of Werttemberg | Portrait of Sir Wyndham Knatchbull-Wyndham, 6th Bt | Simon Mage Si s fall |
Related Artists:
Samuel Miller
American Painter, 1807-1853
Jean-Baptiste Van Mour
17th Century Painters of the Bosporus,was a Flemish-French painter, remembered for his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III. Van Mour was a native of Valenciennes, a Flemish town that at he time of his birth belonged to the Spanish Netherlands, but since 1678 to France. He studied art in the studio of Jacques-Albert Gerin, and his work attracted the attention of an aristocrat and statesman of the time, Marquis Charles de Ferriol. Van Mour was invited to go to Istanbul when De Ferriol was appointed there as the French Ambassador in 1699. De Ferriol commissioned van Mour to do one hundred portraits of the local people. In 1711 De Ferriol returned to France and van Mour worked for a variety of other diplomats. In the meantime De Ferriol published a series of one hundred engravings (after the paintings) in Recueil de cent estampes representant differentes nations du Levant. The book had a great influence in Western Europe and was published in at least five languages. Painting audiences with the Sultan became van Mour's speciality; he only had to change the setting and a few faces. Van Mour worked with assistants to fulfill all his obligations. In 1725 he was granted the extraordinary title of Peintre Ordinaire du Roy en Levant in recognition of both his and the Levant's importance to the French government. In 1727 the Dutch ambassador Cornelis Calkoen asked Van Mour to record his audience with Sultan Ahmed III on canvas. Van Mour was allowed to enter the palace during these ceremonies accompanying the ambassador and his retinue; therefore, he was familiar with the special protocol that prevailed in the Ottoman court for ambassador's receptions. Calkoen took many paintings of Jean-Baptiste van Mour with him, when he was appointed as ambassador in Dresden for the Dutch Republic. In his will of 1762 the bachelor Calkoen forbade his heirs to sell the paintings, which are now part of the Rijksmuseum collection.
Edward Armitage
(May 20, 1817 - May 24, 1896) was an English Victorian era painter whose work focussed on historical, classical and biblical subjects. Armitage was born in London to a family of wealthy Yorkshire industrialists, the eldest of seven sons of James Armitage (1793 - 1872) and Anne Elizabeth Armitage nee Rhodes (1788 - 1833), of Farnley Hall, just south of Leeds, Yorkshire. His great-grandfather James (1730 - 1803) bought Farnley Hall from Sir Thomas Danby in 1799 and in 1844 four Armitage brothers, including his father James, founded the Farnley Ironworks, utilising the coal, iron and fireclay on their estate. His brother Thomas Rhodes Armitage (1824 - 1890) founded the Royal National Institute of the Blind. Armitage was the uncle of Robert Armitage (MP), the great-uncle of Robert Selby Armitage, and first cousin twice removed of Edward Leathley Armitage.






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